An Essay Of Dramatic Poesy

An Essay Of Dramatic Poesy-84
Reading List (A) Bibliography (B) Further Reading John Dryden (9 August 1631 – ) was a prominent English poet, critic, translator, and playwright who dominated the literary life of the Restoration Age; therefore, the age is known as the Age of Dryden.(III) How many speakers are there in The Essay on Dramatic Poesy? Please note that you need to create a NEW ACCOUNT (only first time), and then only you will be able to work.

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Dryden admires ___________ and loves _____________. Dryden agrees in general terms with Aristotle’s definition of poetry as a process of imitation though he has to add some qualifiers to it. When it comes to the Unity of Place, they are equally careful.

The generally accepted view of poetry in Dryden’s day was that it had to be a close imitation of facts past or present. In most of their plays, the entire action is limited to one place. Their plays are never over-loaded with sub-plots as is the case with the English plays. To check you answers, click Literary_Criticism_Page_2. Based on the definition of the play, Neander suggests that English playwrights are best at "the lively imitation of nature" (i.e.,human nature).

Its dialogue form has often been criticized as inconclusive, but actually, as in most dialogues, there is a spokesman weightier than the others.

Dryden carried out his critical thoughts effectively, stating his own ideas but leaving some room for difference of opinion.

Dryden would also regard such exercises as ‘imitation’ since it is drawing on “other men’s fancies”. (ii) Compare your answer with those given at the end of the unit. The English are guilty of the folly, while the French are not. The Plots of the French tragedies are based on well-known stories with reference to the theory and practice of the Ancients. He suggests that the use of well-ordered sub-plots makes the plays interesting and help the main action. (1) Fill in the blanks: (XIV)In this article French Poesy is compared with ___________.

(iii) To work on the SAQs through Moodle LMS and get instant feedback and score click here. But these stories are transformed for dramatic purposes; in this regard they are superior even to the Ancients. Further, he suggests that English plays are more entertaining and instructive because they offer an element of surprise that the Ancients and the French do not. (XIVI)The newer French writers are imitating _________________.While Dryden has no problem with the prevalent neo-classical bias in favour of verisimilitude (likeness/fidelity to reality) he would also allow in more liberties and flexibilities for poetry. The attention of the English playwrights is constantly diverted from one action to the other, and its due effects. French poesy is beautiful; it is beautiful like a "statue".In the The Grounds of Criticism in Tragedy he makes out a case for double-legged imitation. (XXXIX) The French do not burden their play with _____________ . This fault of double-action gives rise to another fault till the end. He even says that the newer French writers are imitating the English playwrights.Dryden was both a writer and a critic and he had rather a dogmatic bent.Most of his critical interpretations are found in the prefaces to his own works. Crites’s Arguments in favour of the Ancients 1.3.5. Dryden’s mature thoughts of literary criticism on ancient, modern and English Literature, especially on Drama, are presented in dialogue forms in An Essay on Dramatic Poesy. Eugenius Arguments on Superiority of Moderns over the Ancients 1.3.4. He was a Cambridge Scholar, literary genius and critic, considering his extraordinary literary contribution was credited with the honour of Poet Laureate of England in 1668. His critical observation of contemporary reality is reflected in Mac Flecknoe(1682).While the poet is free to imitate “things as they are said or thought to be”, he also gives spirited defence of a poet’s right to imitate what could be, might be or ought to be. Lisideius therefore concludes: no drama in the world is as absurd as the English tragic-comedy. One fault he finds in their plots is that the regularity also makes the plays too much alike.He cites in this context the case of Shakespeare who so deftly exploited elements of the supernatural and elements of popular beliefs and superstitions. The French plays also have much variety but they do not provide it in such a bizarre manner. He defends the English invention of tragi-comedy by suggesting that the use of mirth with tragedy provides "contraries" that "set each other off" and gives the audience relief from the heaviness of straight tragedy.Neander's overall statement on the literary standards is that, the norms can be added to make the work ideal, but the norms will not improve a work which does not contain some degree of perfection.And as Dryden believes, we may find writers like Shakespeare who did not follow the rules but are nevertheless obviously superior to any "regular" writer.


Comments An Essay Of Dramatic Poesy

  • An Essay Of Dramatic Poesy Summary By Dryden English Summary

    Introduction. An Essay of Dramatic Poesy deals with the views of major critics and the tastes of men and women of the time of Dryden. The work is in the form of semi-drama thus making abstract theories interesting. In the late 17th century, Shakespeare was severely criticised for his careless attitude towards the mixing of genres.…

  • Dryden, Essay of Dramatick Poesie

    But if this incorrect Essay, written in the Country without the help of Books, or advice of Friends, shall find any acceptance in the world, I promise to my self a better success of the second part, wherein the Vertues and Faults of the English Poets, who have written either in this, the Epique, or the Lyrique way, will be more fully treated of, and their several styles impartially imitated.…

  • JOHN DRYDEN - University of Warwick

    In An Essay of Dramatic Poesy, Dryden created a new kind of theoreti­ cal work addressed to a cultivated audience of non-specialists and written in an urbane conversational prose that avoided the technical jargon and arrogant…

  • Of Dramatic Poesie Summary -

    John Dryden’s Of Dramatic Poesie also known as An Essay of Dramatic Poesy is an exposition of several of the major critical positions of the time, set out in a semidramatic form that gives.…

  • Essay of Dramatick Poesie - Wikipedia

    Essay of Dramatic Poesie is a work by John Dryden, England's first Poet Laureate, in which Dryden attempts to justify drama as a legitimate form of "poetry" comparable to the epic, as well as defend English drama against that of the ancients and the French.…

  • An Essay of Dramatic Poesy by John Dryden An Overview

    An Essay of Dramatic Poesy gives an explicit account of neo-classical theory of art in general. Dryden is a neoclassic critic, and as such he deals in his criticism with issues of form and morality in drama.…

  • Dryden Dramatic Poesy - WikiEducator

    An Essay on Dramatic Poesy is written in the form of a dialogue among four gentlemen Eugenius, Crites, Lisideius and Neander. Neander speaks for Dryden himself. Eugenius favours modern English dramatists by attacking the classical playwrights, who did not themselves always observe the unity of place.…

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    Other articles where Of Dramatic Poesie, an Essay is discussed John Dryden Writing for the stage In 1668 Dryden published Of Dramatick Poesie, an Essay, a leisurely discussion between four contemporary writers of whom Dryden as Neander is one.…

  • English Literature An Essay of Dramatick Poesie Dryden

    Another merit of the Essay pointed out by Professor Saintsbury is that it demonstrates Dryden's scholarship, wide reading and originality. Though Dryden confessed later in his Defence of an Essay that the Essay of Dramatic Poesy was ' for the most part borrowed from the observations of others', yet the borrowed ideas neither detract from nor add up to the sum of its achievement.…

  • An Essay of Dramatic Poesy - Poetry Foundation

    An Essay of Dramatic Poesy. It can be read as a general defense of drama as a legitimate art form—taking up where Sir Philip Sidney’s “Defence of Poesie” left off—as well as Dryden’s own defense of his literary practices. The essay is structured as a dialogue among four friends on the river Thames.…

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