Dissertations In Progress Art History

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Elcott) Rachel Silveri: The Art of Living in the Historical Avant-Garde (B. Joseph) Andrew Sawyer: “Frame Work: The Contexts of Walker Evans” (Elizabeth Hutchinson) Taryn Marie Zarrillo: “Artistic Patrimony and Cultural Politics in Early Seicento Venice” (David Rosand, Diane Bodart) Christina Charuhas: “The Disobedient Isle: Bermudian Aesthetic and Material Culture in the British Atlantic, 1609-1753” (Elizabeth Hutchinson) Amanda Gannaway: “Visualizing Divine Authority: An Iconography of Rulership on the Late Middle Horizon and Late Intermediate Period North Coast of Peru” (Columbia, E. Jones: “A Discourse on Drawings: Amateurs and Connoisseurs and the Graphic Arts in Early Eighteenth-century Paris” (Richard Brilliant) Subhashini Kaligotla: “Shiva's Waterfront Temples: Reimagining the Sacred Architecture of India's Deccan Region” (Vidya Dehejia) Sandrine Larrive-Bass: “Embodied Materials: The Emergence of Figural Imagery in Prehistoric China” (Robert Harrist) Risham Majeed: “Primitive before Primitivism: Medieval and African Art in the 19th Century” (Stephen Murray) Andrew Manson: “Rationalism and Ruins in : The 1934 Palazzo del Littorio Competition” (Mary Mc Leod) Megan Mc Carthy: “The Empire on Display: Exhibitions of Germanic Art and Design in America, 1890-1914” (Columbia, E.

Hutchinson) Rory O'Neill: “Gothic on the Edge: Light, Leviation and Seismic Culture on the Evolution of Medieval Religious Architecture of the Eastern Mediterranean” (Stephen Murray) Giulia Paoletti: “Un Nouveau Besoin: Photography and Portraiture in Senegal (1860-1960)” (Zoë Strother) Elizabeth Perkins: “Antonello da Messina and the Independent Portrait in Fifteenth-Century Italy” (Columbia, D.

Alberro) Leah Pires: Finesse: Louise Lawler’s Pictures (A.

Alberro) Irina Tolstoy: Camillo Trevisan’s palace and villa culture on the island of Murano (M.

Benelli) Alessandra Di Croce: Sacred Fragments: The Reception of Christian Antiquity in post-Tridentine Rome (H.

Klein) Kevin Dumouchelle: Traditions of Modernity in an African City: Continuity and Change in the Architecture of Kumasi (S.Higonnet) Emily Cook: Legacies of Matter: Tradition, Innovation, and Remediation in the Materials of Roman Ideal Sculpture (F.de Angelis) Lindsay Cook: Architectural Citation of Notre-Dame of Paris in the Land of the Paris Cathedral Chapter (S.Murray) Carrie Cushman: Temporary Ruins: Miyamoto Ryûji's Architectural Photography in Postmodern Japan (J.Reynolds) Catherine Damman: Unreliable Narrators: Staging Performance in the 1970s (B.Hutchinson) Thomas Campbell: Picturing the system: Counter-institutional practices in British art of the 1970s (B.Joseph) Sonia Coman: New Values in Art: Japanese and Japoniste Ceramics, 1866-1904 (A.Murray) Beth Gollnick: Diffusion: Women Light Artists in Postwar California (B.Joseph) Maggie Mustard: Atlas Novus: Kawada Kikuti’s Chizu (The Map) and Postwar Japanese Photography (J. 1716) and the Envisioning of the Early Qing World (R.Bergdoll) Yu Yang: At the crossroads of Japanese modernism and colonialism: Architecture and urban space in Manchuria, 1900-1945 (J.Reynolds) Gillian Young: Telepresence: Joan Jonas and the Emergence of Performance and Video Art in the 1970s (B.

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