The knowledge reaches her wordlessly and symbolically, via the "open window" through which she sees the "open square" in front of her house.The repetition of the word "open" emphasizes possibility and a lack of restrictions. The trees are "all aquiver with the new spring of life," the "delicious breath of rain" is in the air, sparrows are twittering, and Louise can hear someone singing a song in the distance. She observes these patches of blue sky without registering what they might mean.
The knowledge reaches her wordlessly and symbolically, via the "open window" through which she sees the "open square" in front of her house.The repetition of the word "open" emphasizes possibility and a lack of restrictions. The trees are "all aquiver with the new spring of life," the "delicious breath of rain" is in the air, sparrows are twittering, and Louise can hear someone singing a song in the distance. She observes these patches of blue sky without registering what they might mean.It's not so much about getting rid of her husband as it is about being entirely in charge of her own life, "body and soul." Chopin writes: "There would be no one to live for her during those coming years; she would live for herself.Tags: Unique Argumentative Essay TopicsEssay Writing Company ReviewsHealth HomeworkList Of Ap Us Essay QuestionsHelp Me With My Essay FreeGrade 8 Essay
Josephine informs her "in broken sentences; veiled hints that revealed in half concealing." Their assumption, not an unreasonable one, is that this unthinkable news will be devastating to Louise and will threaten her weak heart.
At first, she doesn't consciously allow herself to think about this freedom.
Mallard's escape from oppression at the ironic cost of her life.
Chopin sets the story in the springtime to represent a time of new life and rebirth, which mirrors Louise's discovery of her freedom.
This story can be uncomfortable to read because, on the surface, Louise seems to be glad that her husband has died. She thinks of Brently's "kind, tender hands" and "the face that had never looked save with love upon her," and she recognizes that she has not finished weeping for him.
Once she allows herself to recognize her approaching freedom, she utters the word "free" over and over again, relishing it.It is difficult to discuss "The Story of an Hour" without addressing the ironic ending.If you haven't read the story yet, you might as well, as it's only about 1,000 words.Describing Louise's gaze, Chopin writes, "It was not a glance of reflection, but rather indicated a suspension of intelligent thought." If she had been thinking intelligently, social norms might have prevented her from such a heretical recognition.Instead, the world offers her "veiled hints" that she slowly pieces together without even realizing she is doing so.Her fear and her uncomprehending stare are replaced by acceptance and excitement.She looks forward to "years to come that would belong to her absolutely." In one of the most important passages of the story, Chopin describes Louise's vision of self-determination.The Kate Chopin International Society is kind enough to provide a free, accurate version.At the beginning of the story, Richards and Josephine believe they must break the news of Brently Mallard's death to Louise Mallard as gently as possible.In her husband's lifetime, she was "pressed down by a physical exhaustion that haunted her body and seemed to reach to her soul," but once left alone to gaze out of the open window and to observe the "patches of blue sky showing here and there through the clouds," she recognizes freedom for the first time (Chopin 470).Initially, she fails to fully comprehend the mysterious yet promising beginning to her new life, but soon welcomes it as, "she was drinking in a very elixir of life through that open window" (Chopin 471). Just as springtime is a fresh beginning to a new year, Louise's discovery of sovereignty is a hopeful promise to a new life. ...e could explore her own intuitions and be her own self, and like most women, it was a dream she had longed for since birth.