The One Who Walk Away From Omelas Essay

The One Who Walk Away From Omelas Essay-41
The atmosphere is rich with music, festivities, and orgies.And even with all this excessive indulgence, the people manage to remain elite: expert craftsman in every art, scholars of the highest caliber, gentle mothers and fathers, and all-around good people. The success and happiness of Omelas stems from the immense and intentional suffering of one person: a small child who lives in a dark cellar and is continuously abused and neglected by the citizens.

The atmosphere is rich with music, festivities, and orgies.And even with all this excessive indulgence, the people manage to remain elite: expert craftsman in every art, scholars of the highest caliber, gentle mothers and fathers, and all-around good people. The success and happiness of Omelas stems from the immense and intentional suffering of one person: a small child who lives in a dark cellar and is continuously abused and neglected by the citizens.

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It’s far too helpless, far too institutionalized, far too stupid. This secret bunker does not seem too different from the cellar described in the story.

When Fritzl’s victims were freed, they were extremely pale and suffered from anemia, vitamin d deficiencies, and underdeveloped immune systems.

That is, the acquiescence of the Omelasians’ minds to believing the delusion of a sense of harmony provided by the child’s grief.

One could say that all the delights present in the city—the drugs, beer, and sex—all of them seem to provide distraction from the ugly truth of Omelas.

However, they were still able to adapt to normal life.

Fritzl’s daughter, Elisabeth who was nearly driven insane by her imprisonment, is alive and healthy, and the children born out of her imprisonment do bear genetic defects and signs of intense psychological trauma, but they regularly receive therapy and are living in a loving, secure, safe environment.

If the child were freed, it would supposedly lead to the destruction of this great city, therefore keeping it there is for the greater good. Le Guinn presents us with a moral crossroads, a true question of ethics that is left open ended. They may choose to sympathize with the people of Omelas and agree with the narrator.

Or, they may choose to make the revelation that there should be no happiness founded on the misery of others and blindness to truth, and if there is, that happiness is hollow.

My happiness is substantially within her unhappiness; my corporeal well-being is part of a larger mode of embodiment in which her corporeal misery is a vital organ…the ethical imperative is not to put oneself in the child’s place…Le Guin rejects the ethics of empathy.” (Povinelli 511).

By doing this, Le Guin also tries to make the reader reject this natural human capability.

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