Thesis Feminism Literature

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Chapter Six, the Conclusion, offers a few questions for further exploration.

Central to my analysis is the postnationalism I read into these texts which, I suggest, derives from the writers' more immediate concerns with female empowerment that problematize the female gendered identity and critique the role of nationalism, particularly in its complicity with the patriarchal.

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In reality, the prevalence of maternal issues within women’s writing at this time – especially in the literary production of women exhibiting liberal, feminist inclinations – necessitates a cautiously critical analysis within the context of a uniquely Spanish cultural milieu.

Rather than stifling, or proving detrimental to the women’s movement, I suggest that feminist appropriations of maternal values and motherhood were, on the contrary, the precise points at which we can perceive a radical feminist ideology that threatened the very foundations of Spain’s patriarchal society.These three individuals were among the increasing number of educated women who began to earn their living by writing about those women’s issues which provoked conversation and debate within the increasingly visible Spanish feminist movement.By transcending genres and publishing their essays, novels, and novelas in popular journals, periodicals, and revistas, Burgos, Nelken, and Montseny are emblematic of the way in which Spanish women began to articulate their unique voices within a variety of public literary domains.We also use this information to show you ads for similar films you may like in the future.Like Oath, our partners may also show you ads that they think match your interests.The result was what historian Ann Taylor Allen has termed the “maternal dilemma,” or the conflict over whether it was possible to be both a mother and an autonomous individual.I have found that early twentieth century Spanish women were acutely aware of this new modern “dilemma,” and their literary representations of mothers and motherhood proved to be frequent, and quite different, from those appearing in novels written before the turn of the century.Chapter Four compares feminist consciousness across cultural, geographical, and historical differences in Nectar in a Sieve and Nervous Conditions to examine how the latter text's postcolonial awareness reconceptualizes woman's empowerment.Chapter Five explores third world feminism, decolonization, and the modes of resistance to patriarchal structures in Changes, Clear Light of Day, and Nervous Conditions.Chapter Two focuses on the impact of Markandaya's colonial heritage and diasporic consciousness in generating an ambivalence towards the concept of nationalism as seen in Nectar in a Sieve.Chapter Three analyzes how Dangarembga's feminist consciousness critiques the role of colonial and patriarchal agendas in creating a "nervous" national culture with neocolonial repercussions for women.

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